Dave Smith Instruments Prophet 12 Manual de usuario Pagina 33

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21
Prophet 12 Module Operation Manual
High-Pass Filter
High-Pass Filter
After each voice’s low-pass lter, the signal passes through a 2-pole, resonant
analog high-pass lter. There is also a control for modulating the lter cutoff with
the keyboard.
Frequency: 0...127
—Sets the high-pass lters cutoff frequency. Frequencies
below the cutoff are attenuated at a slope of 12 dB per octave. Frequencies above
the cutoff pass through the lter unaffected, hence the name “high-pass.”
Resonance: 0...127
—Emphasizes a narrow band of frequencies around the
cutoff frequency. Normally, the high-pass lter does not self oscillate at the
maximum resonance setting. However, it may be driven into self-oscillation by
routing DC modulation to resonance to push it beyond what can be achieved
by the Resonance control alone. Be aware, though, that the signal level of the
self-oscillation is signicantly higher than normal, and will likely cause severe
clipping, especially as more voices are played.
That can be mitigated by turning
down the voltage controlled amplier envelope amount and, if used, the VCA
Velocity
Amount.
Key Amount: 0...127
—Sets the amount of modulation from the note data
received via MIDI to Frequency (the lters cutoff frequency). A setting of 64
will step the lter in semitone increments for each note, 32 would be quarter-
tones, and so on.
Note: The high-pass lter does not have a dedicated envelope like the low-
pass does. However, auxiliary envelopes 3 and 4 can be routed directly to
the high-pass lter, and any of the envelopes can be used to modulate the
high-pass using the modulation matrix. See Modulation on page 32 for
more information.
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